at the end of the hill we climb

at the end of the hill we climb.
2024.

After completing my last series, Two(One), which explored themes centred on loss, I began to question what emerges from such experiences. When reflecting on my life to date, the concept of progression deeply resonated; in the face of setbacks, the only viable path is forward. I’ve since investigated different facets of this theme, focusing on precise elements in our lives that, when worked upon, facilitate growth. The painting over and over highlights the importance of repetition in honing your craft, while roots celebrates the strong foundation required for evolution. The duet of paintings, to be together and to be alone, reflects upon the equal significance of collaborating with others and of retreating inwards for profound reflection.

My heritage played a key role in influencing this theme. Countless conversations with my father about the hardships he faced, and how he overcame them, have shaped my outlook. He taught me the spiritual, ancestral practices of the Yoruba tribe, who I can trace my lineage to. During my childhood, he would often recite an African story about ducklings and their instinct to follow their parents unconditionally, even into danger. The story plays on the ancient Egyptian hieroglyph of the duck to mean ‘son’. With the painting follow your steps, I explore exactly that: following in my ancestors' footsteps, continuing their legacy, and tapping into their life experiences to guide my own path.

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Words by Ollie Horne and Ekun Richard.
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